Watch Online Dracula Untold (2014) - MovieTimeUs

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Synopsis:

Director Gary Shore revamps the mythos surrounding Vlad the Impaler in Dracula Year Zero, a Universal Pictures release from a script by Matt Sazama and Burk Sharpless. The horror tale is set to take place in Romania during the Turkish invasion as Vlad (Luke Evans) goes to the greatest of lengths to fight for his homeland -- even if it means selling his soul and becoming forever doomed as a creature of the night.

Review:

A Dracula movie for those who prefer a darkly romantic take on the character -- like Francis Ford Coppola's 1992 epic Bram Stoker's Dracula or the 2013 TV series Dracula starring Jonathan Rhys Meyers -- 2014's Dracula Untold is a period adventure with a fantastical, gothic-horror twist. Taking a cue from the aforementioned adaptations of the classic tale, Dracula Untold attempts to present the origin story of the powerful vampire, explaining why the Romanian prince once known as Vlad Dracul made a deal with dark forces that would transform him into the creature of the night that's now part of popular mythology: namely, that he did it all for his country and, of course, for love.

The story begins in the 15th century, as Prince Vlad (Luke Evans) rules his Eastern European country with a fair and steady hand. Although he's been known to decimate villages in the name of protecting his people, he's done so without bloodlust, making tough, kingly decisions like sacrificing ten people to save 100. Those decisions get a lot tougher, however, when a neighboring sultan demands that Vlad hand over 1000 Romanian boys to be trained as Turkish soldiers -- if he refuses, the sultan will launch a full, bloody invasion. Vlad just can't bring himself to do it, especially since it would mean losing his own son, so he seeks out supernatural assistance. Agreeing to a contract with a decrepit, ancient vampire, he is granted all of the monster's powers (intense speed, increased strength, and the ever-useful ability to turn into a flock of bats) and weaknesses (sunlight, pure silver, and wooden stakes), as well as the promise that he will turn back into his mortal, non-evil self if he can resist feeding on human blood for a period of three days. Vlad figures he just needs to defeat the Turks in that time, which he can surely accomplish via supernatural brute force and scaring the piss out of them with his powers, right?

Dracula Untold is fine Halloween entertainment, especially for those looking for something spooky but not necessarily terrifying. Compared to the average slasher movie, it keeps the gore level pretty low. And in a world of absurdly long action/adventure films, Dracula Untold's tight 92-minute run time makes it a solid popcorn flick. It has a certain B-movie flavor, despite being pretty tasteful overall -- at least for a vampire film.

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Watch Online Pan (2015) - MovieTimeUs

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Synopsis:

An orphan boy (Levi Miller) discovers his destiny as Peter Pan in this vividly realized fantasy, and is whisked away to an enchanted land to battle the fearsome pirate Blackbeard (Hugh Jackman) with the help of the warrior woman Tiger Lily (Rooney Mara). Directed by Joe Wright (Hanna) and Atonement). Cast includes Garrett Hedlund, Amanda Seyfried, Adeel Akhtar, Nonso Anozie and Kathy Burke.

Review: 

A viewer's reaction to Pan, the Joe Wright-directed origin story of how an orphan in WWII-era London became the legendary Peter Pan, will likely depend on his or her age. Kids -- and those who are kids at heart -- will probably relish the truly bizarre phantasmagoria on display, while more discerning moviegoers will be appalled by its lack of originality, unsettling tonal shifts, mysterious musical choices, and scenery-chewing acting. In other words, there's something here for everyone to praise or pick apart.

Pan begins with a distraught woman (Amanda Seyfried) leaving her baby Peter in a basket outside of a London orphanage. We then flash forward a dozen years: The Nazis are relentlessly bombing the city, and the mischievous lad (played by wonderful newcomer Levi Miller) is investigating why some boys in the orphanage suddenly go missing during the night, and whether the disappearances are linked to a bevy of gold coins being hoarded by cruel caretaker Mother Barnabas (Kathy Burke), who runs the Dickensian institution with an iron fist and a steely heart. He soon finds out. Mother raises the Jolly Roger and pirates swoop down on bungee-like ropes to snatch him and several other boys out of their beds; they are whisked away in a floating buccaneer ship to Neverland, where they join hundreds of other boys and men in digging for fairy dust in a mining camp at the behest of Blackbeard (a hammy but effective Hugh Jackman). The notorious pirate, it turns out, inhales the stuff in order to retain his youthful appearance.

"Here we are now, entertain us," Blackbeard sings, along with his fellow pirates, when he makes his first appearance hoisted high above the enslaved assemblage on his airship. (It remains a mystery why the characters in a 1940s-era nonmusical story are singing Nirvana's "Smells Like Teen Spirit" -- or later, the Ramones' "Blitzkrieg Bop" -- and that's only one of many jarring and questionable choices by the filmmakers.) Peter is soon brought before Blackbeard for a minor offense, and is forced to walk the plank into a rocky abyss. But when he steps off, he begins to fly instead of falling to his death. Blackbeard immediately realizes that Peter is the chosen one of prophecy, a messiah-like figure who can fly, was born of a fairy prince and a human mother, and who will one day rise up and defeat him. Peter is imprisoned, but he eventually escapes with the help of wisecracking fellow miner James Hook (Garrett Hedlund, desperately trying -- and failing -- to channel Harrison Ford as both Indiana Jones and Han Solo) and bumbling buddy Smee (Adeel Akhtar). The trio hijack one of Blackbeard's ships and quickly crash-land in a wooded area occupied by Neverland natives, who are enemies of Blackbeard and are also awaiting the arrival of the chosen one. The ethnically diverse community (their multicultural vibe might have been a way to justify having the Caucasian Rooney Mara play the originally Native American Tiger Lily) take in the escapees, and together they work to bring down Blackbeard.

Curiously for an origin story, there isn't an original idea anywhere to be found on Pan's bloated canvas. Screenwriter Jason Fuchs steals liberally from Dickens, Star Wars, Indiana Jones, and Avatar, and utilizes tired themes (a hero who doesn't realize his true destiny, to name just one example) to spin a new tale out of recycled parts. Wright does generate some arresting action sequences, especially in the film's final showdown with Blackbeard, but they aren't enough to lift the movie out of its sullen state. Younger viewers, however, will likely be absolutely delighted by all of the onscreen derring-do and impressive CGI work, which includes a massive crocodile out to consume our heroes. Pan is never boring and families who flock to it will be entertained, but it's still a shipwreck of jumbled ideas that never quite pan out.

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Watch Online The Last Witch Hunter (2015) - MovieTimeUs

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"How do you know when there is magic in the vicinity?" a baby-faced priest (Elijah Wood) asks Vin Diesel's witch hunter early on in this would-be supernatural thriller, as the two search an apartment for signs of sorcery. Seeing none, the priest says, "No magic here." One assumes he's referring to the lack of witchcraft evidence found in the room, but he could just as easily be expressing his thoughts about the insipid movie he's stuck in.

Diesel stars as Kaulder, a valiant 14th-century warrior who is cursed with immortality by the Witch Queen (a maggot-encrusted Julie Engelbrecht) just before he slays her in a cryptic underground lair. Kaulder intended to perish with the merciless queen so he could be reunited in the afterlife with his late wife and daughter, who died from the Black Plague that the queen unleashed upon Europe. Now, he's condemned to be forever separated from his loved ones and dwell in eternal loneliness. What to do? Become the Catholic Church's go-to guy to track down the world's most wicked witches and put them under lock and key in the "witch prison," of course.

Jettison ahead to present-day New York City, where Kaulder lives in an ultra-plush apartment with a killer view of Central Park, drives a newly minted Aston Martin, collects a horde of deadly weaponry, and beds the occasional stewardess. Kaulder receives his witch-hunting assignments from his longtime mentor Dolan the 36th (an always welcome Michael Caine), the latest in a succession of priests charged with aiding Kaulder with his missions. Unfortunately, an ancient Nordic warlock named Belial (Ólafur Darri Ólafsson) murders Dolan, plots to resurrect the Witch Queen and unleash a new global pandemic. Kaulder teams up with Dolan the 37th, the aforementioned baby-faced priest, and Chloe (Game of Thrones' Rose Leslie), a sexy white witch, to combat Belial. Naturally, the fate of the world depends on them.

A movie titled The Last Witch Hunter should provide plenty of thrills and chills, and raise the level of a viewer's pulse, but instead the Breck Eisner-directed film continually flatlines with uninspired overdoses of CGI mayhem and convoluted witchy mumbo jumbo that come at us so fast and furious they create fatigue instead of intrigue. It doesn't help that Diesel delivers his usual one-note, guttural performance without a trace of humor, and on the whole is given very little to do, other than look gravely concerned and lethargically react to all of the weird stuff happening around him. The fact that Kaulder can't be killed and that any injuries he suffers heal almost instantly also sap the story of energy. It's a dull superhero who doesn't have a weakness. Fortunately, Caine, excellent as always, lends the tale a necessary touch of believability, while Leslie enlivens every scene she's in with a heartfelt and often comic sensibility that lifts the film occasionally out of its doldrums. But not even she can work enough magic to prevent the movie from casting a spell of absolute boredom over its audience.

The Last Witch Hunter is Vin Diesel's attempt to launch a new action franchise and it just might work. Teen boys and Diesel diehards will flock to the film, but repeat visits will likely be few. Here's hoping The Last Witch Hunter lives up to its name and is indeed the last we see of Diesel's dreary hag hunter.

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Watch Online The Hobbit: The Battle of the Five Armies (2014) - MovieTimeUs

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Peter Jackson's equally exhilarating and exhausting Hobbit trilogy comes to a rousing, if not totally satisfying, conclusion with The Battle of the Five Armies, a war-ravaged adventure that is by turns breathtaking, beautiful, brutal, and boring.

The movie gets off to a great start with a pre-title sequence that picks up where The Desolation of Smaug ended, as the malevolent dragon Smaug (voiced with great menace by Benedict Cumberbatch) descends upon Lake-town and sets it ablaze. As the residents attempt to flee the burning carnage, Bard the Bowman (Luke Evans) confronts the swooping dragon, who now has his sights set on incinerating Bard's young son. Thankfully, he finds the dragon's weak spot and brings him down. With the village in ruins, Bard leads the townspeople to find shelter at Erebor, the Lonely Mountain.

Unfortunately, the mountain is now controlled by the greedy Thorin Oakenshield (Richard Armitage), the dwarf prince who is the presumed heir to Erebor's throne. Thorin is obsessed with keeping its treasure trove of gold and the power it brings, even if it means going to war. Of course, everyone else wants his or her share of the riches as well, including the dwarfs, Dark Lord Sauron and his battle-ready orcs, the woodland elves, and General Dain Ironfoot's contingent of Iron Hills dwarves. The story bogs down a bit as we wait for the armies to descend upon the mountain for the climactic battle, and then it's all-out war for the last hour.

No one does CGI warfare quite like Peter Jackson, but one gets a sense of déjà vu watching the action unfold in The Battle of the Five Armies. Jackson's craftsmanship is undeniable, yet it feels like a rehash of the fiercer combat in The Return of the King. Also, the orcs and most of the other warriors, while terrifying to look at, collapse like building blocks if struck but once with a sword or a mighty blow. One never gets a sense that these monsters will ever be a match for our heroes, which saps the action of any real suspense. The highlight of this clash comes when Thorin decides to "cut off the head of the snake" by facing the merciless orc commander. Their duel, fought on an ice-covered river, is thrilling, unpredictable, and emotionally jarring. If only Jackson could have brought the immediacy of their small-scale fight to his larger canvas.

And what of Bilbo Baggins? He's reduced here to a supporting player, spending most of his time secretly guarding the precious Arkenstone and making sure Thorin doesn't get it. But, as always, Martin Freeman is superb as the "master thief" who provides the movie's heart and soul. Another standout is Armitage, who plays Thorin with Shakespearean majesty. Blinded by the lure of great wealth and power, Thorin is a raging king willing to sacrifice his own honor and the friendship of his closest allies to gain the throne. He's the only fully developed character on display, and Armitage takes full advantage of his screen time to make Thorin both repulsive and relatable. Whenever he's offscreen, the movie suffers.

Appearing once again, in reduced but still rich roles, are Ian McKellen as Gandalf, Cate Blanchett as Galadriel, Orlando Bloom as Legolas, Lee Pace as Thranduil, Evangeline Lilly as Tauriel, and Christopher Lee as Saruman. Also returning are composer Howard Shore, whose ever-present but never intrusive score proves to be timeless and energizing, and cinematographer Andrew Lesnie, whose darker-than-normal lensing fills the screen with frightening and majestic images that are truly awe-inspiring.

All in all, The Battle of the Five Armies delivers enough bone-crunching action to please devoted fans, and like its two predecessors, it looks to reap huge profits for Jackson and company. But as his monumental but bloated vision finally comes to an end, even die-hard fanatics will likely be glad that Jackson's unexpected journey is over. 

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Watch Online Thor: The Dark World (2013) - MovieTimeUs

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Tony Stark may be brilliant, but Thor of Asgard earns his rightful status as Marvel's mightiest Avenger by smashing through the Shakespearean stuffiness of Kenneth Branagh's misguided origin story to deliver a genuinely satisfying sequel. Sweeping, smartly paced, and frequently laugh-out-loud funny, Thor: The Dark World feels much more in tune with the playful tone of The Avengers than its own predecessor, thanks in large part to dedicated performances by a supremely talented cast and director Alan Taylor's talent for seamlessly blending awe-inspiring action with lighthearted comedy.

Having recently defended Earth from a massive interdimensional threat as part of the Avengers, Thor (Chris Hemsworth) returns home to restore the balance of peace to the Nine Realms as his brother Loki (Tom Hiddleston) is sentenced to an eternity in an Asgard prison. Meanwhile in London, Jane Foster (Natalie Portman) is doing her best to move on when her eager assistant Darcy (Kat Dennings) discovers an anomaly that defies the laws of physics. Upon further investigation, Jane is transported to the place where Odin's father Bor had once hidden a powerful, formless weapon -- known as the Aether -- after defeating the Dark Elves and preventing their malevolent leader Malekith (Christopher Eccleston) from using it to spread darkness throughout the universe.

Now infected with the Aether, Jane soon reunites with Thor, who transports her back to Asgard in the hope of healing her. But he's already too late, because Malekith has awoken from his centuries-long slumber and knows that Jane is the key to his plot.

With an important cosmic event known as the Convergence drawing near, Malekith wants to use the Aether to accomplish what Bor had once prevented. Using his evil assistant Algrim (Adewale Akinnuoye-Agbaje) to gain access to Asgard, Malekith launches an all-out invasion of the kingdom in a determined bid to recover his weapon. But Thor has other plans, and with the help of his allies on Asgard and Earth, he must destroy the Aether and make sure that Malekith is defeated once and for all.

In 2011's Thor, Kenneth Branagh endeavored to instill an air of nobility in a film genre typically known for featuring chiseled heroes in spandex suits. But despite his best efforts, the movie suffered from lackluster action, a muddled script, and awkward attempts at comic relief. Two short years and one wildly popular blockbuster (The Avengers) later, however, prolific television director Alan Taylor (Boardwalk Empire, Mad Men, The Sopranos, Deadwood) and screenwriters Christopher Yost, Christopher Markus, and Stephen McFeely prove that you can teach an old god new tricks with a crowd-pleaser that succeeds at widening the scope of the first film while simultaneously giving the sibling-rivalry subplot real gravity. Somewhat unexpectedly, the massive melee that kicks off Thor: The Dark World feels more like Peter Jackson's Lord of the Rings trilogy than anything out of the Marvel universe. It's a smart move that not only plunges the audience right into the action, but also offers Taylor the chance to immediately display his comfort working on a larger canvas. And as the movie returns to Asgard, the writers shift their focus to the seismic tensions between Thor and his renegade sibling Loki, allowing the charismatic Hiddleston to once again steal virtually every scene he appears in.

If the writers can be accused of making any misstep, it's the fact that they once again fall back on the tiresome world-destroying-weapon-and-the-villain-who-covets-it scenario. Although, to be fair, Eccleston is genuinely chilling in the role of Malekith, and Taylor keeps the action moving at a satisfying pace that distracts from the comic-book clichés of the plot. His efforts are perfectly complimented by top-notch costume design by Wendy Partridge (Blade II, Hellboy), who outfits the Dark Elves in some eerily unsettling armor, and a rousing score by Brian Tyler, whose compositions summon an appropriate sense of majesty without ever growing overbearing.

From Anthony Hopkins to Zachary Levi, the cast of Thor: The Dark World all perform admirably in their roles, nailing the jokes and heroics with equal conviction (special mention goes to Stellan Skarsgård and his tighty whiteys for providing the film with some of its best comic beats). It all adds up to one of the rare sequels that surpasses the original in just about every way imaginable. 

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